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 ‘The best thing about this recital its accessibility. Most of it is sung in English, and when it isn’t, thorough translations and analysis will be provided to all of the audience. Art music should be accessible to all and you don’t have to be a hardcore fan to just sit and let it wash over you’. Local Operatic Baritone, Jeremy Boulton will be performing solo in his hometown of Wollongong for the only time this year. The Opera Australia Scholarship Recipient from the Sydney Conservatorium of Music said he’s thrilled to give this recital which will include some of his favourite arias by Mozart and Bellini. ‘It’s not often I get to perform at home [with most of my performances being in Sydney and elsewhere], so these recitals always feel special to me and I love every moment of them.’ Boulton will be debuting the famous English song-cycle ‘Songs of Travel’ by Vaughan-Williams – a song cycle that tells of the challenging encounters of a traveling man as he moves through the obstacles he encounters in his world. ‘I can draw so many parallels between the character (‘The Vagabond’) and myself. There are so many struggles that you face as an emerging artist in any field – but these songs in particular allow me to express myself and my journey through song as a young operatic artist and as a young adult’. The text of the ‘Songs of Travel’ comes from a series of diary entries and short poems written over several years and countries by Robert Louis Stevenson (Treasure Island). The recital will also feature the song work of rarely-performed 20th century Polish composer, Witold Lutosławski. ‘The best thing about this recital its accessibility. Most of it is sung in English, and when it isn’t, thorough translations and analysis will be provided to all of the audience. Art music should be accessible to all and you don’t have to be a hardcore fan to just sit and let it wash over you’. ‘You don’t have to understand anything about classical music for it to impact you deeply and give you reprieve from the chaotic world we live in.’ Boulton will be joined by esteemed local accompanist, David Vance. The programme will also include a piece by former Wollongong Eisteddfod Champion, Nicolas Serray on classical guitar. Tickets are available from Trybooking.com. Jeremy Boulton is proud to be providing affordable ticket pricing at this event as well as free tickets to carers of those with a disability. $15 Adults | $10 Concession | $5 Children | FREE Disability Carers Press Contacts: Jeremy Boulton | +61 450 342 313 | in --- ‘Songs of Travel’ – IN RECITAL Sat 13 July, 3:00pm | The Church on the Mall, 116 Crown Street, Wollongong Tickets: $0-$15 | Bookings: Trybooking.com | Search ‘Songs of Travel Jeremy Boulton’ or on 0450 342 313fo@je ---- ***ABOUT THE SOLOISTS*** JEREMY BOULTON | Operatic Baritone A former recipient of the Opera Australia Student Scholarship and graduate of the Talent Development Project, Jeremy has starred in the lead roles for productions of The Pirates of Penzance and The King & I. He was also a featured artist in the Schools Spectacular and Southern Stars. "He’s very well developed for a young man of his age; he’s got very good instincts musically, and it seems to me theatrically as well; he’s certainly got a good voice and he’s absolutely on the right path." - Lyndon Terracini (Artistic Director, Opera Australia) Jeremy has featured as a concert soloist for the Opera Australia Benevolent Fund, Sydney Conservatorium of Music (Early Music Ensemble), Argyle Orchestra (Hobart, Australia), Opera Projects Sydney, Opera South East and Fiori Musicali (Armidale, NSW). He has also featured in the ensembles of Don Giovanni and I Pagliacci for the Sydney Conservatorium of Music. Winner of both the Margaret Olive Stewart Bequest Scholarship and the PATIM Fund Scholarship, Jeremy studies with Maree Ryan AM. In the 2018 Sydney Eisteddfod, Jeremy was the Runner Up in the Intermediate Vocal Scholarship (Dame Joan Sutherland Memorial Award). Jeremy is currently reading for a Bachelor of Music (Performance) at the Sydney Conservatorium of Music. Masterclasses include that by Jessica Pratt. Jeremy’s other work includes scoring for short films (Best Film, Martini Awards 2017) and stage productions of The Tempest, Blood Wedding and Ash Girl. His behind-the-scenes work includes working as Assistant Conductor to Maestro Aaron Kernaghan. He is a Certificate Member (Arranger & Copyist) of the Music Arrangers’ Guild of Australia (M.A.G.A.). Commissions include The Curious Story of the Bushy-Tailed Drop Bear (tone poem for orchestra) and a re-worked production of Dido and Aeneas (Purcell). In his spare time, Jeremy enjoys attending the symphony, opera, chamber music recitals, jazz and straight theatre. Of a summer, Jeremy turns into a cricket tragic. He also takes an overly keen interest in Australian politics and the work of cartoonist, Michael Leunig. NICOLAS SERRAY | Classical Guitarist Nicolas Serray is studying a Bachelor of Music (Performance) in Classical Guitar at the Sydney Conservatorium of Music. Currently in his final year, he learns from Russian virtuoso Vladimir Gorbach. Nicolas began his study at the Wollongong Conservatorium of Music and completed Grade 8 AMEB (Classical Guitar Performance) with A – Honours. At Wollongong High School of the Performing Arts (WHSPA), he received 96% in his Higher School Certificate (HSC) Extension Performance subject. Frequenting the Sydney and Illawarra music scenes in solo and ensemble recitals, Nicolas constantly collaborates with Australian popular music stars including upcoming artist, Emalia. Nicolas is a choice session guitarist for live performances and in the recording studio. He has also scored for dramatic works including 'A Midsummer Night's Dream' and 'Blood Wedding'. on.com.a  Working on a beautiful Bach cantata today in the practise room for programmes in Wollongong and Sydney this year with @jackiewardmusic and #FionaLoader This final aria from the ‘Ich habe genug’ (I have enough) Cantata is extremely dramatic and depicts the story of Simeon according to Luke. The final aria is entitled ‘Ich freue mich meinen Tod’ (I look forward to my death). Simeon eagerly awaits his death after experiencing a revelation from the Holy Ghost that he shall not see death before he had seen the Lord Christ. Simeon has achieved salvation and asks to depart from this world in peace. The work contains gorgeous harmonisations and word painting, lush textures and stunning oboe lines that wash over the listener. Gospel: Luke 2: 22-32 Simeon prophesies of Christ [22] And when the days of her purification according to the law of Moses were accomplished, they brought him to Jerusalem, to present him to the Lord; [23] (As it is written in the law of the Lord, Every male that openeth the womb shall be called holy to the Lord;) [24] And to offer a sacrifice according to that which is said in the law of the Lord, A pair of turtledoves, or two young pigeons. [25] And, behold, there was a man in Jerusalem, whose name was Simeon; and the same man was just and devout, waiting for the consolation of Israel: and the Holy Ghost was upon him. [26] And it was revealed unto him by the Holy Ghost, that he should not see death, before he had seen the Lord's Christ. [27] And he came by the Spirit into the temple: and when the parents brought in the child Jesus, to do for him after the custom of the law, [28] Then took he him up in his arms, and blessed God, and said, [29] Lord, now lettest thou thy servant depart in peace, according to thy word: [30] For mine eyes have seen thy salvation, [31] Which thou hast prepared before the face of all people; [32] A light to lighten the Gentiles, and the glory of thy people Israel. Shoot me a DM with your email address to join my mailing list. 💻 #baritone #australia #bach #ichhabegenug #ichhabegenugbach   In preparation for a unique and new production of this opera (or masque) by Henry Purcell, I have been delving into the vast amount of research conducted by American musicologist, Ellen Harris. The second edition of her book about the work ‘Dido and Æneas’, is providing great insight into what we actually know about the works original form. It has introduced all sorts of academic ideas, opinions and arguments from across the spectrum about (usually) simple questions regarding: its first performance, what the original score actually looked like and even how we should interpret the ‘Ground Bass’ notation.
Even though I’m going to conceive a brand-new version of this work with a brand-new orchestration and harmonic vocabulary, I strongly believe that it’s my duty to understand as much as possible of the original work and the context of which it premiered (even if some areas of detail are lacking). There will be great liberties taken in the conception of this work. However, if we are to do this work the justice it deserves, it’s important to find out as much as possible about it. Thank you Ellen Harris and all musicologists for helping us to understand as much as possible of the great musical works in human history. I’d also like to thank musicologists like Ellen for informing its notation in the modern format. This stuff is invaluable. Whilst Benjamin Britten and Imogen Holst did some great things to bring the work back to life in notation, performance and recording (in collaboration with Boosey & Hawkes in its publication) - Harris takes the cake for continuing the research and digging deeper. See the amazing things being said about Jeremy's Vocal Tuition!
'I have had such an amazing amount of growth and improvement when it comes to vocal technique. I very much appreciate the work you have done to make me stronger in my performance field of singing.' - Zac 'Jeremy is a great guy who strives to improve all his students vocals. He has experienced first hand his voice break, and has greatly helped me with working my voice through its break. As well as this, he charges affordable prices for professional and brilliant lessons that have helped me develop my voice so much in such a short time! - Luca 'Jeremy's teaching is amazing! From one conversation you can tell how much he knows and cares about music! Great teaching and an amazing person.' - Lewis Enrolments for Term 3 are still open. Book your spot now to avoid disappointment! jeremyboulton.com.au/contact Pleased to announce that I have become a Certified Arranger & Copyist of the Music Arrangers Guild of Australia. For examples of my work and how to request an arrangement or copying task, visit jeremy boulton.com.au and see 'Arrangements & Orchestrations'.  Enjoyed a wonderful day recording at Sony Music Studios in Darlinghurst with fellow Talent Development Project (TDP) graduates of 2017. It was an absolute privilege to have been accompanied by Australian music theatre icon, Bev Kennedy on the piano. Absence Short Film nominated in six categories for the 2017 Martini Film Awards and has today been submitted into an international film festival. Brilliant to have had the opportunity to compose for this exciting project.      It's been an absolute thrill being a part of this fabulous production of Rodgers and Hammerstein's Broadway classic, 'The King & I'.
The role of 'Lun Tha' has been one of the more challenging roles I've played and I'm so excited to perform it on stage this Friday night at Rockdale Town Hall. 👑 THE KING AND I opens in just THREE DAYS! Make sure you BOOK your tickets NOW so you dont miss out!! 👑 BOOK NOW: goo.gl/oISuQO Fri 03 Mar - 8PM Sat 04 Mar - 2PM & 8PM Sun 05 Mar - 2PM Fri 10 Mar - 8PM Sat 11 Mar -2PM & 8PM Sun 12 Mar - 2:00PM Yesterday evening, I attended the Canberra Area Theatre (CAT) Awards night in Dubbo, NSW. The CAT Awards acknowledge excellence and achievement in the Canberra Region, extending into Regional NSW. I was so honoured to have received awards for both categories which I was nominated for this year. These were:
I would like to take this opportunity to thank the CAT Award judges and panel for recognising my efforts in these areas throughout 2016. Well done to all other recipients!
  Photo credits: Belinda Soole, Amy Copeland, Keira Sigsworth.
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